The Viewing Booth explores a space ostensibly off-limits to cinema — the  internal experience of a viewer. Unique in its form and structure, the film turns its camera away from the world and towards Maia’s eyes — allowing us to follow her experience as she negotiates images that challenge her worldview.

The Viewing Booth recounts a unique encounter between a filmmaker and a viewer — exploring the way meaning is attributed to non-fiction images in today’s day and age. In a lab-like location, Maia Levy, a young Jewish American woman, watches videos portraying life in the occupied West Bank, while verbalizing her thoughts and feelings in real time. Maia is an enthusiastic supporter of Israel, and the images in the videos, depicting Palestinian life under Israeli military rule, contradict some of her deep-seated beliefs. Empathy, anger, embarrassment, innate biases, and healthy curiosity — all play out before our eyes as we watch her watch the images created by the Occupation. As Maia navigates and negotiates the images, which threaten her worldview, she also reflects on the way she sees them. Her candid and immediate reactions form a one-of-a-kind cinematic testimony to the psychology of the viewer in the digital era.